裂变 - 秋山叠嶂 Fission - Peaks Rising in Autumn

仇德树 Qiu Deshu

220×240cm

宣纸、丙烯、画布 Rice Paper, Acrylics, Canvas

2010-2011

仇德树几乎每部作品都在寻求和建构一种框架，特别在此类巨幅山水中。这是有无数条裂痕搭建的整体框架。艺术家在搭建和调整的操作过程中，发现和把握作品的“度”，“度”是艺术家底蕴的最高体现。是艺术作品的人格化。

在仇氏的审美框架中，没有了后期文人画笔墨游戏，自我把玩的情趣。他要达到的是一种境界。这是在宋元山水中曾经有过苍茫和雄壮，天象和地气。是东方哲学的精神内涵。对仇德树来说，是作品的大气、大悲、大美。裂痕是悲怆的，而悲怆是仇作品的主旋律。

Nearly every work of Qiu Deshu's is seeking and building a certain frame, especially those huge landscape pictures. In the process of building and adjusting, The artist would control the “standard”of works, Standard is the highest embodiment of an artist's inner deposits, which is also the personification of the art works.

In the aesthetic framework of Qiu's, there are no later literati painting's games or self-play fun, what he wants to achieve is a realm. This is the boundlessness and sturdiness, the astronomical phenomena and ground vapour once appeared in the landscape paintings of the Song&Yuan Dynasties. It is the spiritual connotation of oriental philosophy. For Qiu Deshu, It is the atmosphere, sadness, great beauty of works. Cracks are sorrowful, and sorrowful is just the main theme of his works.